Herta Müller

Herta Müller
Herta Müller in 2007
Born	17 August 1953 (1953-08-17) (age 57) Niţchidorf, Timiş County, Romania
Occupation	Writer
Nationality	German, Romanian
Period	late 20th–early 21st century
Notable work(s)	The Land of Green Plums, Everything I Possess I Carry With Me
Notable award(s)	Nobel Prize in Literature 2009
Spouse(s)	Richard Wagner
Influences Richard Wagner (novelist), Romanian literature, German literature [1]

Herta Müller (born 17 August 1953) is a Romanian-born German Nobel Prize-winning novelist, poet and essayist noted for her works depicting the effects of violence, cruelty and terror, usually in the setting of Communist Romania under the repressive Nicolae Ceauşescu regime which she experienced herself. Many of her works are told from the viewpoint of the German minority in Romania and are also a depiction of the modern history of the Germans in the Banat, and more broadly, Transylvania. Her much acclaimed 2009 novel Everything I Possess I Carry With Me portrays the deportation of Romania's German minority to Stalinist Soviet Gulags during the Soviet occupation of Romania for use as German forced labor.

Müller has been an internationally well-known author since the early 1990s, and her works have been translated into more than 20 languages.^[2][3] She has received over 20 awards, including the 1994 Kleist Prize, the 1995 Aristeion Prize, the 1998 International IMPAC Dublin Literary Award and the 2009 Franz Werfel Human Rights Award. On 8 October 2009 it was announced that she had been awarded the 2009 Nobel Prize in Literature.

Early life

Müller was born in Niţchidorf (German: Nitzkydorf), up to the 1980s a German-speaking village in the Romanian Banat in western Romania. The daughter of Banat Swabian Catholic [1] farmers, her family was part of Romania's German minority. Her grandfather had been a wealthy farmer and merchant, but his property was confiscated by the communist regime. Her father had been a member of the Waffen SS during World War II, and earned a living as a truck driver in Communist Romania^[4]. In 1945 her mother, then aged 17, was along with 100,000 others of the German minority deported to forced labor camps in the Soviet Union, from which she was released in 1950.^[4][5][6][7] Her native language is German; only in grammar school did she learn Romanian.^[8] She was a student of German studies and Romanian literature at the Timişoara University.

In 1976, Müller began working as a translator for an engineering factory, but was dismissed in 1979 for her refusal to cooperate with the Securitate, the Communist regime's secret police. After her dismissal she initially earned a living by teaching kindergarten and giving private German lessons.

Career

Her first book, Niederungen (Nadirs), was published in Romania in German in 1982, in a state-censored version. The book was about a child's view of the German-cultural Banat.^[9] Müller was a member of Aktionsgruppe Banat, a group of German-speaking writers in Romania who supported freedom of speech over the censorship they faced under Ceauşescu's government, and her works, including The Land of Green Plums, deal with these issues.^[10][11] Radu Tinu, the Securitate officer in charge of her case, denies that she ever suffered any persecutions,^[12] a claim that is opposed by Müller's own version of her (ongoing) persecution in an article in the German weekly Die Zeit in July 2009.^[13]

After being refused permission to emigrate to West Germany in 1985, Müller was finally allowed to leave along with her husband, novelist Richard Wagner, in 1987, and they settled in West Berlin, where they still live.^[14] In the following years she accepted lectureships at universities in Germany and abroad. Müller was elected to membership in the German Academy for Writing and Poetry in 1995, and other honorary positions followed. In 1997 she withdrew from the PEN centre of Germany in protest of its merger with the former German Democratic Republic branch. In July 2008, Müller sent a critical open letter to Horia-Roman Patapievici, president of the Romanian Cultural Institute in reaction to the moral and financial support given by the institute to two former informants of the Securitate participating at the Romanian-German Summer School.^[15]

In 2009, her novel Everything I Possess I Carry With Me (German: Atemschaukel) was nominated for the German Book Prize (Deutscher Buchpreis) but the prize was won by Kathrin Schmidt's book Du stirbst nicht. In this book, Müller describes the journey of a young man to a gulag in the Soviet Union as an example of the fate of the German population in Transylvania after World War II. It was inspired by the experience of poet Oskar Pastior, whose oral memories she had made notes of, but also by what happened to her own mother.

Critic Denis Scheck described visiting Müller at her home in Berlin and seeing that her working desk contained a drawer full of single letters cut from a newspaper she had entirely destroyed. Realising that she used the letters "to recombine her own literary texts", he felt he had "entered the workshop of a true poet".^[16]

2009 Awards

The Swedish Academy awarded the 2009 Nobel Prize in Literature to Müller "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed.".^[4] The spokesman of the Swedish Academy compared Müllers style and her use of German as a minority language with Franz Kafka and pointed out the influence of Kafka on Müller. The award coincided with the 20th anniversary of the fall of communism. Michael Krüger, head of Müller's publishing house, stated: "By giving the award to Herta Müller, who grew up in a German-speaking minority in Romania, the committee has recognized an author who refuses to let the inhumane side of life under communism be forgotten"^[17]

She received the Franz Werfel Human Rights Award in the Frankfurt Paulskirche in November 2009, for her novel Everything I Possess I Carry With Me. The award was presented by Erika Steinbach. Ten survivors of Soviet concentration camps were present at the ceremony.^[18]

Influences

Although Müller has not publicly spoken at length on specific people or books that have influenced her on a literary level, she has attributed her roots to other sources, the most prominent of these being her university studies in German and Romanian literature. When comparing the two languages, she noted that a simple concept such as a falling star can be interpreted so differently. "We’re not only speaking about different words, but about different worlds. [For example] Romanians see a falling star and say that someone has died, with the Germans you make a wish when you see the falling star." Müller also went on to say that Romanian folk music holds a special place in her heart. "When I first heard Maria Tanase she sounded incredible to me, it was for the first time that I really felt what folklore meant. Romanian folk music is connected to existence in a very meaningful way." ^[19]

Another strong source of influence has been Müller's husband, Richard Wagner. Their lives hold remarkable parallels: both grew up in Romania as members of the Banat Swabian ethnic group and enrolled in German and Romanian literary studies at Timişoara University. Upon graduating, they worked as German language teachers, and were members of Aktionsgruppe Banat, a literary society that fought for freedom of speech. Like his wife, Wagner is also a published novelist and essayist.

Müller's involvement with Aktionsgruppe Banat has also influenced the boldness with which she writes, despite the threats and trouble generated by the Romanian secret police. Although her books are fictional, they are based on real people and experiences. Her 1996 novel, The Land of Green Plums was written after the deaths of two friends, in which Müller suspected the involvement of the secret police, and one of its characters was based on a close friend from Aktionsgruppe Banat.^[20]

Works

Müller signing one of her books in September 2009

• Niederungen, short stories, censored version published in Bucharest, 1982. Uncensored version published in Germany 1984. Published in English as Nadirs in 1999 by the University of Nebraska Press.^[21]
• Drückender Tango ("Oppressive Tango"), stories, Bucharest, 1984
• Der Mensch ist ein großer Fasan auf der Welt, Berlin, 1986. Published in English as The Passport, Serpent's Tail, 1989 ISBN 9781852421397
• Barfüßiger Februar ("Barefoot February"), Berlin, 1987
• The Absolute Wasteman novella, Berlin, 1987
• Reisende auf einem Bein, Berlin, 1989. Published in English as Traveling on One Leg, Hydra Books/Northwestern University Press, 1998.^[22]
• Wie Wahrnehmung sich erfindet ("How Perception Invents Itself"), Paderborn, 1990
• Der Teufel sitzt im Spiegel ("The Devil is Sitting in the Mirror"), Berlin, 1991
• Der Fuchs war damals schon der Jäger ("Even Back Then, the Fox Was the Hunter"), Reinbek bei Hamburg, 1992
• Eine warme Kartoffel ist ein warmes Bett ("A Warm Potato Is a Warm Bed"), Hamburg, 1992
• Der Wächter nimmt seinen Kamm ("The Guard Takes His Comb"), Reinbek bei Hamburg, 1993
• Angekommen wie nicht da ("Arrived As If Not There"), Lichtenfels, 1994
• Herztier, Reinbek bei Hamburg, 1994. Published in an English translation by Michael Hofmann as The Land of Green Plums, Metropolitan Books/Henry Holt & Company, New York, 1996^[23]
• Hunger und Seide ("Hunger and Silk"), essays, Reinbek bei Hamburg, 1995
• In der Falle ("In a Trap"), Göttingen 1996
• Heute wär ich mir lieber nicht begegnet, Reinbek bei Hamburg, 1997. Published in English as The Appointment, Metropolitan Books/Picador, New York/London, 2001
• Der fremde Blick oder das Leben ist ein Furz in der Laterne ("The Foreign View, or Life Is a Fart in a Lantern"), Göttingen, 1999
• Im Haarknoten wohnt eine Dame ("A Lady Lives in the Hair Knot"), poetry, Reinbek bei Hamburg, 2000
• Heimat ist das, was gesprochen wird ("Home Is What Is Spoken There"), Blieskastel, 2001
• A good person is worth as much as a piece of bread, foreword published in Kent Klich's Children of Ceausescu by Journal, 2001 and Umbrage Editions, 2001. Published in Swedish as En god människa är lika mycket värd som ett stycke bröd in Kent Klich's Ceausescu's barn by Journal, 2001
• Der König verneigt sich und tötet ("The King Bows and Kills"), essays, Munich (and elsewhere), 2003
• Die blassen Herren mit den Mokkatassen ("The Pale Gentlemen with their Espresso Cups"), Munich (and elsewhere), 2005
• Este sau nu este Ion ("Is He or Isn't He Ion"), collage-poetry written and published in Romanian, Iaşi, Polirom, 2005
• Atemschaukel, Munich, 2009. Published in English as Everything I Possess I Carry With Me, Granta/ Metropolitan Books, 2009.^[24]

Editor

• Theodor Kramer: Die Wahrheit ist, man hat mir nichts getan ("The Truth Is No One Did Anything to Me"), Vienna 1999
• Die Handtasche ("The Purse"), Künzelsau 2001
• Wenn die Katze ein Pferd wäre, könnte man durch die Bäume reiten ("If the Cat Were a Horse, You Could Ride Through the Trees"), Künzelsau 2001

Filmography

• 1993 : Vulpe – vânător (Der Fuchs war damals schon der Jäger), directed by Stere Gulea, starring Oana Pellea, Dorel Vişan, George Alexandru etc.

Awards

• 1981 Adam-Müller-Guttenbrunn Sponsored Prize the Temeswar Literature Circle
• 1984 Aspekte Literature Prize
• 1985 Rauris Literature Prize
• 1985 Encouragement Prize of the Literature Award of Bremen
• 1987 Ricarda-Huch Prize of Darmstadt
• 1989 Marieluise-Fleißer Prize of Ingolstadt
• 1989 German Language Prize, together with Gerhardt Csejka, Helmuth Frauendorfer, Klaus Hensel, Johann Lippet, Werner Söllner, William Totok, Richard Wagner
• 1990 Roswitha Medal of Knowledge of Bad Gandersheim
• 1991 Kranichsteiner Literature Prize
• 1993 Critical Prize for Literature
• 1994 Kleist Prize
• 1995 Aristeion Prize
• 1995/96 City-writer of Frankfurt-Bergen-Enkheim
• 1997 Literature Prize of Graz
• 1998 Ida-Dehmel Literature Prize and the International IMPAC Dublin Literary Award for The Land of Green Plums
• 2001 Cicero Speaker Prize
• 2002 Carl-Zuckmayer-Medaille of Rhineland-Palatinate
• 2003 Joseph-Breitbach Prize (together with Christoph Meckel and Harald Weinrich)
• 2004 Literature Prize of Konrad-Adenauer-Stiftung
• 2005 Berlin Literature Prize
• 2006 Würth Prize for European Literature und Walter-Hasenclever Literature Prize
• 2009 Franz Werfel Human Rights Award, in particular for her novel Everything I Possess I Carry With Me^[25]
• 2009 Nobel Prize in Literature
• 2010 Hoffmann von Fallersleben Prize

Further reading

• Norbert Otto Eke (Ed.): Die erfundene Wahrnehmung ("The Invented Perception"), Paderborn 1991
• Herta Müller, Berlin 1992
• Valentina Glajar: Valentina Glajar: The Discourse of Discontent: Politics and Dictatorship in Hert Müller's 'Herztier'. In: Glajar, The German Legacy in East Central Europe. As Recorded in Recent German Language Literature, pp. 115–160. Camden House, Rochester NY 2004
• Valentina Glajar: "Banat-Swabian, Romanian, and German: Conflicting Identities in Herta Muller's Herztier." Monatshefte 89.4 (Winter 1997): 521-40.
• Maria S. Grewe: "Imagining the East: Some Thoughts on Contemporary Minority Literature in Germany and Exoticist Discourse in Literary Criticism." In Germany and the Imagined East, edited by Lee Roberts. Cambridge 2005
• Maria S. Grewe: Estranging Poetic: On the Poetic of the Foreign in Select Works by Herta Müller and Yoko Tawada, Columbia University, New York 2009
• Herta Haupt-Cucuiu: Eine Poesie der Sinne ("A Poetry of the Senses"), Paderborn 1996
• Ralph Köhnen (Ed.): Der Druck der Erfahrung treibt die Sprache in die Dichtung ("The Pressure of Experience Forces Language Into Poetry"), Frankfurt am Main [u.a.] 1997
• Brigid Haines,'"The Unforgettable Forgotten": The Traces of Trauma in Herta Müller's 'Reisende auf einem Bein', German Life and Letters, 55/3 (July 2002), 266–81
• Brigid Haines and Margaret Littler, Contemporary German Women's Writing: Changing the Subject, Oxford and New York: Oxford University Press, 2004
• Brigid Haines (ed.): Herta Müller, Cardiff 1998
• Martin A. Hainz: Den eigenen Augen blind vertrauen? Über Rumänien. ("Do You Trust Your Eyes Blindly? On Romania") From: Der Hammer – Die Zeitung der Alten Schmiede, Nr. 2, Nov. 2004, S.5–6
• Grazziella Predoiu: Faszination und Provokation bei Herta Müller ("Fascination and Provocation in Herta Müller's Work"), Frankfurt am Main (and elsewhere) 2000
• Nina Brodbeck: Schreckensbilder ("Terrifying Images"), Marburg 2000
• Lyn Marven, Body and Narrative in German Literature, Oxford 2005
• Herta Müller, Munich 2002
• Carmen Wagner: Sprache und Identität ("Language and Identity"), Oldenburg 2002
• Martin A. Hainz: Den eigenen Augen blind vertrauen? Über Rumänien. ("Do You Trust Your Eyes Blindly? On Romania") From: Der Hammer – Die Zeitung der Alten Schmiede, Nr. 2, Nov. 2004, S.5–6
• Thomas Daum (Ed.): Herta Müller, Frankfurt am Main 2003
• Diana Schuster: Die Banater Autorengruppe: Selbstdarstellung und Rezeption in Rumänien und Deutschland, Hartung-Gorre-Verlag Konstanz 2004
• Carmen Wagner: Sprache und Identität ("Language and Identity"), Oldenburg 2002

See also

• List of female Nobel laureates

References

This article incorporates information from the revision as of July 28, 2006 of the equivalent article on the German Wikipedia.

External links

• Herta Müller, short biography by Professor of German Beverley Driver Eddy at Dickinson College
• Herta Müller: Bio, excerpts, interviews and articles in the archives of the Prague Writers' Festival
• Herta Müller, at complete review
• Herta Müller, profile by International Literature Festival Berlin. Retrieved on 7 October 2009
• Herta Müller interview by Radio Romania International on Aug 17, 2007. Retrieved on 7 October 2009
• "Securitate in all but name", by Herta Müller. About her ongoing fight with the Securitate, August 2009
• "Everything I Own I Carry with Me", excerpt from the novel. September 2009
• Poetry and Labor Camp: Literature Nobel Laureate Herta Müller Goethe-Institut, December 2009
• "The Evil of Banality" - A review of The Appointment by Costica Bradatan The Globe and Mail, February 2010
• Herta Müller: The 2009 Laureate of the Nobel Prize in Literature An article in Yemen Times newspaper.